Bibliography

Adorno, Rolena. 1986. Guaman Poma: Writing and Resistance in Colonial Peru. Austin: University of Texas Press.

Alegre, Francisco Javier. 1956-60. Historia de la provincia de la Compańia de Jesus de Nueva Espańa. Ernest J. Burrus and Felix Zubillaga, eds.+ vols. Rome: Biblioteca Instituto Historici S.J.

Alford, Violet. 1978. The Hobby Horse and Other Animal Masks. London: Merlin Press.

---. Pyrenean Festivals. 1937. London: Chatto and Windus.
---. Sword Dance and Drama. 1962. London: Merlin Press.

Alvarado, Tezozomoc, Fernando. 1975. Crónica mexicayotl. Adrián León, trans. Mexico City: Universidad Nacional Autónoma deMexico.

Alvarez Lopera, José. 1985 La Pasión de Cristo en la pintura del Greco. Madrid: Fundación Universitaria Espaňola.

Amandes, Joan. 1966. Las danzas de moros y christianos. Valencia:Institución Alfonso el Magnánimo.

Anderson, Arthur J.O. 1983. Sahagún's "Doctrinal Encyclopedia." Estudios de Cultura Nahuatl 16: 109-22.

---. 1984. The "San Bernardino" of Sahagún's Psalmodia. Indiana 9: 107-14.
---. 1990. La Salmodia de Sahagún. Estudios de Cultura Nahuatl 20: 17-38.

Anderson, Arthur J.O., Francis Berdan, and James Lockhart, trans. and ed. 1976. Beyond the Codices: The Nahua View of Colonial Mexico. Berkeley: University of California Press. 

Anderson, Arthur J.O., and Wayne Ruwer. 1993. Sahagún's Manual del Christiano: History and Identification. Estudios de Cultura Nahuatl 23: 17-45.

Andrews, J. Richard. 1975. Introduction to Classical Nahuatl. Austin: University of Texas Press.

Arróniz, Othón. 1979. Teatro de evangelización en Neuva Espaňa. Mexico City: Universidad Nacional Autónoma de México.

Austin, Mary. "A Drama Played on Horseback." The Mentor, September 1928, pp.38-39.

Axton, Richard. 1974. European Drama of the Early Middle Ages. London: Hutchinson.

Barber, Richard, and Juliet Barker. 1989. Tournaments: Jousts, Chivalry, and Pageants in the Middle Ages. New York: Weidenfeld and Nicholson.

Barker, Ruth Laughlin. 1931. Caballeros. New York: Appleton-Century.

Baumann, Roland. "Matanzas en las fiestas: La rebelión de la Alpujarra y las fiestas de moros y christianos." Demófilo 18 (1996): 81-92.

---. "Tlaxcalan Expression of Autonomy and Religious Drama in the Sixteenth Century." Journal of American Lore 13 (1987): 139-153.

Bernabeu Rico, José Luis. 1981. Significados sociales de las fiestas de moros y christianos. Alicante: Publicaciones de la Universidad Nacional de Educación a Distancia--Centro Regional de Elche.

Bernard of Clairvaux, and Amadeus of Lausanne. 1979. Magnificat: Homilies in Praise of the Blessed Virgin Mary. Marie-Bernard Said and Grace Perigo, trans. Kalamazoo, Mich.: Cistercian Publications.

Bibliotheca Mejicana: A Catalogue of an Extraordinary Collection of Books and Manuscripts, Almost Wholly Relating to the History and Literature ofNorth and South America, Particularly Mexico. 1968. New York: Burt Franklin.

Bierhorst, John, trans. and ed. 1985. Cantares Mexicanos: Songs of the Aztecs. Stanford, Calif.: Stanford University Press.

---. 1992. Codex Chimalpopoca: The Text in Nahuatl with a Glossary and Grammatical Notes. Tuscon: University of Arizona Press.
---.1992. History and Mythology of the Aztecs: The Codex Chimalpopoca . Tuscon: University of Arizona Press.

Bricker, Victoria Reifler. 1981. The Indian Christ, The Indian King: The Historical Substrata of Maya Myth and Ritual. Austin: University of Texas Press.

Broda de las Casas, Johanna. 1987. "Templo Mayor as Ritual Space." in Johanna Broada, Davíd Carrasco, and Eduardo Matos Moctezuma, The GreatTemple of Tenochtitlan: Center and Periphery in the Aztec World, pp.61-123.Berkeley: University of California Press.

Brown, Lorin W., with Charles Briggs and Marta Weigle. 1978. Hispano Folklife in New Mexico. Albuquerque: University of New Mexico Press.

Broyles Gonzáles, Yolanda. "Native Dialectics and Cultural Subversion: The Santa Barbara Pastorela." Gestos 11 (1991): 127-133.

Brundage, Burr Cartwright. 1979. The Fifth Sun: Aztec Gods, Aztec World. Austin: University of Texas Press.

Buck, Vera Helen, ed. 1937. Four autos sacramentales of 1590. University of Iowa Studies in Spanish Language and Literature, 7. Iowa City: University of Iowa.

Burkhart, Louise M. 1986. Moral Deviance in Sixteenth-Century Nahua and Christian Thought: The Rabbit and the Deer. Journal of Latin American Lore 12: 107-39.

---1986. Sahagún's Tlauculcuicati: A Nahuatl Lament. Estudios de Cultura Nahuatl 18: 181-218.

---.1988. Doctrinal Aspects of Sahagun's Colloquios. In The Work of Bernardino Sahagún: Pioneer Ethnographer of Sixteenth-Century Aztec Mexico, ed. J. Jorge Klor de Alva , H.B. Nicholson and Eloise Quinoñes Keber, 65-82. Albany: Institute for Mesoamerican Studies, State University of New York.

---. 1989. The Slippery Earth: Nahua-Christian Moral Dialogue in Sixteenth-Century Mexico. Tuscon: University of Arizona Press.

---. 1991. A Nahuatl Religious Drama of c. 1590. Latin American Indian Literatures Journal 7: 153-71.

---. 1992. A Nahuatl Religious Drama from Sixteenth-Century Mexico. Princeton University Library Chronicles 53: 264-86.

---. 1992. Flowery Heaven: The Aesthetic of Paradise in Nahuatl Devotional Literature. Res: Anthropology and Aesthetics 21: 89-109.

---. 1993. The Cult of the Virgin of Guadalupe in Mexico. In World Spirituality: An Encyclopedic History of the Religious Quest, vol 4, South and Meso-American Native Spirituality, ed. Gary H. Glossen and Miguel Leon-Portilla, 198-227. New York: Crossroad Press.

Caro Bajora, Julio. 1978. Las formas complejas de la vida religiosa: Reliogi ón, sociedad y carácter en España de los siglos XVI y XVII. Madrid: Akal.

Castañeda, Carlos E. 1936. The First American Play. Texas Catholic Historical Society Preliminary Studies 3: 5-39.

Clendinnen, Inga. 1990. Ways to the Sacred: Reconstructing "Religion" in Sixteenth Century Mexico. History and Anthropology 5: 105-41.

Clifford, James. 1988. The Predicament of Culture: Twentieth Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press.

Cohen, Jeffrey H. "Danza de la Pluma": Symbols of Submission and Separation in a Mexican Fiesta." Antropological Quarterly 66 (1993): 149-158.

Curcio, Linda Ann.1993. "Saints, Sovereignty, and Spectacle in Colonial Mexico." Ph.D. diss., Tulane University.

Davies, Nigel. 1973. The Aztecs: A History. London: Macmillan.

Diaz del Castillo, Bernal. The True History of the Conquest of New Spain. Trans. Alfred Percival Maudslay. 5 vols. London: Hakluyt Society, 1908-1916.

Durán, Diego.  1971. Book of the Gods and Rites, and the Ancient Calendar. Trans. Fernando Horcasitas and Doris Heyden. Norman: Oklahoma University Press.

Durán y Sanpere, A. 1963. La Fiesta del Corpus. Barcelona: Ediciones Aymá.

Edmonson, Munro S., ed. 1974. Sixteenth-Century Mexico: The Work of Sahagún. Albuquerque: University of New Mexico Press.

Franco, fray Alonso. 1900. Segunda parte de la historia de la provincia de Santiago de Mexico orden predicadores en la Nueva España. Mexico City: Museo Nacional.

Fergusson, Erna. 1931. Dancing Gods. Albuquerque: University of New Mexico Press.

Flores, Richard. "History, 'Los Pastores,' and the Shifting Poetics of Dislocation." Journal of Historical Society 6 (1993): 164-185.

Fruth, Mary Ann. "The American Indian Motif in the Triumphal Entry of the Sixteenth-Century." Ohio State University Theatre Collection Bulletin 14 (1967): 24-29.

García Icazbalceta, Joaquín. 1971. Colección de documentos para la historia de México. Mexico City: Porrua.

García Rodero, Christina, and J.M. Caballero Bonald. 1994. Festivals and Rituals of Spain.Trans. Wayne Finkle. New York: Harry N. Abrams.

Gibson, Charles. 1967. Tlaxcala in the Sixteenth Century. 2nd. ed. Stanford: Stanford University Press.

Gillespie, Susan D. 1989. The Aztec Kings. Tuscon: University of Arizona.

Gillmor, Frances. 1943. "The Dance Dramas of Mexican Villages." University of Arizona Bulletin 14, no. 2.

---. "Symbolic Representation in Mexican Combat Plays." 1983. In The Power of Symbols, ed. N. Ross Crumrine and Marjorie Halpin, pp. 102-110. Vancouver: University of British Columbia Press.

Gómez de Orozco, Fredrico, ed. "Costumbres, fiestas, enterramientos y diversas formas de proceder de los indios de Nueva España." Tlalocan 2 (1945): 37-63.

Grau, Jan. "Cavallets, cavallins, cavalls, cotoners, cotonines." Gegants 31 (1995): 4-5.

Graulich, Michel. 1997. Myths of Ancient Mexico. Trans. Bernard R. and Thelma Ortiz de Montellano. Norman: University of Oklahoma Press.

Gutierrez, Ramon. 1993. "The Politics of Theatre in Colonial New Mexico: Drama and the Rhetoric of the Conquest." In Reconstructing a Chicano/a Literary Heritage, ed. Maria HerreraSobek, pp. 49-67. Tuscon: University of Arizona Press.

Harris, Max. "The Arrival of the Europeans: Folk Dramatizations of Conquest and Conversion in New Mexico." Comparative Drama 28 (1994): 141-165.

---. "A Catalan Corpus Christi Play: The MArtyrdom of Saint Sebastian with the Hobby Horses and the Turks." Comparative Drama 31 (1997): 224-247.

---. 1993. The Dialogical Theatre: Dramatizations of the Conquest of Mexico and the Question of the Other. London: Macmillan.

---. "The Dramatic Testimony of Antonio de Cuidad Real: Indigenous Theatre in Sixteenth-Century New Spain." Colonial Latin American Review 5 (1996): 237-251.

---. "Moctezuma's Daughter: The Role of La Malinche in Mesoamerican Dance." Journal of American Folklore 109 (1996): 149-177.

---. "The Return of Moctezuma: Oaxaca's danza de la pluma and New Mexico's danza de los matachines." The Drama Review 41, no. 1 (1996): 106-134.

Herrera-Sobek, Maria.1995. "The Mexican/Chicano Pastorela." In Fiestas and Celebrations in North American Ethic Communities, ed. Ramon A. Gutierrez and Genevieve Fabre, pp. 47-56. Albuquerque: University of New Mexico Press.

Hicks, Frederic. "'Flowery War' in Aztec History." American Ethnologist 6 (1979): 87-92.

Horcasitas, Hugh. 1974. El teatro nahuatl. Mexico City: Universidad Nacional Autonoma de Mexico.

Kolve, V.A. 1966. The Play Called Corpus Christi.Stanford: Stanford University Press.

Las Casas, Bartoleme de. 1951. Historia de las Indias. Ed. Augustin Millares Carlo. 3 vols. Mexico City: Fondo de Cultura Economica.

---. History of the Indies. 1971. Ed. and trans. Andree Collard. New York: Harper and Row.

Leal, Luis. "Los Voladores: From Ritual to Game." New Scholar 8 (1982): 129-142.

Leon-Portilla, Miguel. 1963. Aztec Thought and Culture. Trans. Jack Emory Davis. Norman: University of Oklahoma Press.

Linares, Palma, J. 1976. "La fiesta de moros y christianos es un hecho historico perfectamente unido a la fiesta religiosa de los pueblos." In Vol. 1 of Congreso Nacional de Fiestas de Moros y Christianos. (Villena, 1974), pp. 175-188. Alicante: Caja de Ahorros de Alicante.

Lockhart, James. 1992. The Nahuas After the Conquest. Stanford: Stanford University Press.

Lopes Don, Patricia. "Carnivals, Triumphs, and Rain Gods in the New World: A Civic Festival in the City of Mexico-Tenochtitlan in 1539." Colonial Latin American Review 6 (1997): 18-40.

Markham, Roberta H., and Peter T. Markham. 1992. The Flayed God: The Mesoamerican Mythological Tradition. Berkeley: University of California Press.

Matos, Moctezuma, Eduardo. 1987. "The Templo Mayor of Tenochtitlan: History and Interpretation." Trans. John G. Copeland. In Johanna Broada, David Carrasco, and Eduardo Matos moctezuma, The Great Temple of Tenochtitlan: Center and Peripherey in the Aztec World, pp. 15-60. Berkeley: University of California Press.

Parise, Frank, ed. 1982. The Book of the Calendars. New York: Facts on File.

Pearce, T.M. "Los Moros y Los Christianos: Early American Plays." New Mexico Folklore Record 2 (1947-1948): 58-65.

Poole, Stafford. 1995. Our Lady of Guadalupe: The Origins and Sources of a Mexican National Symbol, 1531-1797. Tuscon: University of Arizona Press.

Potter, Robert A. "Abraham and Human Sacrifice: The Exfoliation of Medieval Drama in Aztec Mexico." New Theatre Quarterly 2 (1986): 306-312.

Ravicz, Marilyn Ekdahl. 1970. Early Colonial Religious Drama in Mexico. Washington, D.C.: Catholic University of America Press.

Read, Kay Almere. 1998. Time and Sacrifice in the Aztec Cosmos. Bloomington: Indiana University Press.

Read, Kay Almere, and Jason J. Gonzalez. Handbook on Mesoamerican Mythology. Santa Barbara, Calif.: ABC-CLIO Press, forthcoming.

Reilly, Bernard F. 1992. The Contest of Christian and Muslim Spain, 1031-1157. Oxford: Blackwell.

Ricard, Robert. 1966. The Spiritual Conquest of Mexico. Trans. Lesley Byrd Simpson. Berkeley: University of California Press.

Rivera, Luis. 1992. A Violent Evangelism. Louisville, KY.: Westminister/John Knox Press.

Roach, Joseph. 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.

Sagahun, Bernardino de. Florentine Codex: General History of the Things of New Spain. Ed. and trans. Arthur J.O. Anderson and Charles E. Dibble. 12 books in 13 vols. Salt Lake City: University of Utah Press, 1950-1982.

Scott, James C. 1990. Domination and the Arts of Resistance: Hidden Transcripts. New Haven:: Yale University Press.

Strong, Roy. 1984. Art and Power: Renaissance Festivals, 1450-1650. Berkeley: University of California Press.

Surtz, Ronald E. 1979. The Birth of a Theatre: Dramatic Convention in the Spanish Theatre from Juan del Encina to Lope de Vega. Madrid: Castalia.

Trevino, Adrian and Barbara Gilles. "The Dance of Montezuma: Some Remarks on the Origin and History of the Matachines Dance in Northern Mexico." Manuscript, 1991.

Trexler, Richard. 1984. "We Think, They Act: Clerical Readings of Missionary Theatre in Sixteenth-Century New Spain." In Understanding Popular Culture: Europe From the Middle Ages to the Nineteenth Century, ed. Steven L. Kaplan. pp. 189-227. Berlin: Mouton.