“Living With Creative Machines”
Read this keynote in e-misférica 4.2


The computer is now an irreversible part of how improvisation has become a site for interdisciplinary exploration, exchanges of personal and cultural narratives, and the blurring of boundaries between art forms. For George Lewis, living, working, and performing with creative machines of his own design is closely intertwined with the study of how improvisation produces knowledge and meaning. Part memoir, part history and criticism, the talk intersects with critical histories of new media and American experimentalism, as well as ethnographic and historical work on improvisation.