Curso Anual
Poniendo en escena la nación
Projectos
NYU
Staging the Nation
Bomba
Dance: Embodying Resistance
by Yari Rodriguez-Benitez
CORRIDOS: from mid-nineteenth century to present
by
Carla Corona
The Hero and the Formation of the Nation in Latin America XIX century
by Fernando Calzadilla
Dominican Republis Racial Categories
XVI-XIX centuries
by Karen Jaime
Music in
the Americas
The Nineteenth Century: Looking Forward, Looking Back
by Cathlyn Harris
Fiestas Populares La Navidad en
Puerto Rico
by Jeniffer Lopez
From Corpus Christi to Folkloric Pageant
Dances of the Conquest and the Staging of Nation in Bolivia
by Tobias Reu
the aniceto
ritual
by Pablo Costa
Composing
the Nation: Bambuco Music and Colombian National Identity by Michael
Birenbaum Quintero
Popular
Performance
by Paulo Merisio--Universidade do Rio de Janeiro Brasil,
Elza de Andrade--Universidade do Rio de Janeiro Brasil,
Ronnie Habich Morales--Pontificia Universidad Catolica del Peru,
Marsha Gall--New York University,
Sean Cook--New York University
Soldaderas: A
Mexican National Symbol by Beliza Torres Narvaez
UNIRIO
Inventando o Brasil:
Identidade, Memória e Performance
Congada
Lapeana
por José Roberto Lança
(Rio)
O
Desfile da BEIJA-FLOR DE NILÓPOLIS no ano de 2001
por
André Luiz Porfiro
Símbolos
Nacionais Brasileiros
por Ricardo Brugger
O
Povo de Rua
por Denise Zenicola
CAPOEIRA:REVOLTA
E TEATRALIDADE, UMA PERSPECTIVA ARTAUDIANA
por Larissa Cardoso Feres
Elias
TEATRO
JOÃO MINHOCA: Baptista e seus Bonecos
por Elza de Andrade
Performance da Música Indígena no Brasil:Os instrumentos."
por Amauri Araújo Antunes
Poder, Corpo e Espiritualidade: Um Olhar Sobre o Som Berimbau na
Capoeira
por Raphael Gonçalves Teixeira
OSU
Staging the Nation
Diego Benegas, Department of Comparative Studies
Thomas Dodson, Department of Comparative Studies
Kevin Snorteland, Department of Comparative Studies
Fan (Demi) Yang, Arts Policy and Administration Program
Structures of Social Memory
Natalie Corvington, Department of Comparative Studies
Mulata and Superfly: Contestations of Cuban National Identity through Hip
Hop, Sex, and Salsa
Susan Drake, Department of Spanish and Portuguese
San Felipe de Jesus: A Nineteenth-Century Mexican Pastorela, or
Constructing Mexico's National Identity in the Nineteenth Century
Lise Evans, Department of Theatre
Male Inadequacy: the Suppression of Soldaderas
Jen Kiper, Department of Women's Studies
"'Round Here We All Look the Same': Masculinity and Patriotism in Drag
King Performance, Brandon Iron's 'Round Here'"
Jamie Shepard
Corridos webpage
Corridos paper
|
