CONFERENCES * SYMPOSIUMS * CALL FOR PAPERS
2001


"Eighteenth Century Native Communities of New England in the Context of Colonial Change"
 Location: Connecticut, United States
 Call for Papers Date: 2001-04-30

 *****CALL FOR PAPERS*****

 Conference Title: Eighteenth Century Native Communities of New England in
 the Context of Colonial Change.
 Sponsor: The Mashantucket Pequot Museum & Research Center, Mashantucket, CT
 Location: The Mashantucket Pequot Museum & Research Center, Mashantucket, CT
 Date: September 20-21, 2002
 Deadline for Title & Abstract: April 30, 2001

 Generally speaking, Native communities are viewed as though the events and
 processes of the eighteenth century affected only their economic, social,
 and political institutions, without a comparable effort to understand how
 colonial society was changed. In this conference we seek to bring multiple
 perspectives and disciplines to bear on our understanding of the effects
 that events and processes have had on colonial and Native communities. We
 also seek to explore the inter-relationships among the communities. Some
 possible topics include the impacts of climate and demography, religious
 movements, colonial wars, trade, agriculture, maritime, fishing, and the
 emergence of the factory system. This is merely a suggested list, and we
 welcome other topics that fit within the intent of the conference.

 Accepted participants will be provided a modest stipend to help defray the
 costs of travel and lodging. Persons interested in participating in the
 conference should send a title and abstract no later than April 30, 2001 to:

 Dr. Jack Campisi
 Mashantucket Pequot Museum & Research Center
 110 Pequot Trail
 P.O. Box 3180
 Mashantucket, CT 06339-3180

 For further information, please contact Dr. Jack Campisi at
 (860) 396-6864, or Dr. Kevin McBride at (860) 396-6814 or by email:
 <mcbride@mptn.org>

________________________________________________________________

WORDLIFE: KEYWORDS IN MULTI-ETHNIC STUDIES
 COLUMBIA UNIVERSITY (New York, New York)
 NOVEMBER 30 - DECEMBER 1, 2001

 DESCRIPTION
 Any critical endeavor is perhaps best begun by first taking time to define
 oneís terms, the vocabulary of key concepts and words that will be used to
 sustain the claims that ultimately will be made.

 The symposium organizers are here thinking specifically of terms or keywords
 that pervade our seminar conversations and papers but that are rarely
 footnoted; terms that, through their repeated utterance, have been emptied
 of meaning; but terms that ? nevertheless - have accumulated a kind of
 cultural capital of their own. In essence, we are interested in determining
 what such terms mean to multi-ethnic fields of study, i.e. African American,
 Black (Caribbean and British), Latino/a American, Asian American and Native
 American Studies. How have these fields of study put pressure on terms that
 began to appear increasingly as cultural studies and critical theory took
 root in the academy?

 It is our hope that by returning to key terms that have influenced much of
 our own work that the methodological and conceptual shifts that our fields
 of study have incurred in the last twenty-five years will emerge. As a
 result of this project, it may also become apparent that the use of certain
 terms is not properly sustained by our work, which may demand the production
 of new terms.

 We will be accepting abstracts of papers that address the following key
 words and concepts:

 nation/nationalism
 memory/history/narration
 ěraceî
 gender
 class
 queer
 diaspora
 tradition/influence
 feminism
 hegemony
 other(ness)
 labor/work
 orality/literacy
 deconstruct(ion)
 subjectivity
 reparation(s)
 representation
 policy
 agency
 mimicry/mimesis

 We invite papers that problematize our understanding of the aforementioned
 terms which often go unchallenged as they circulate. THAT SAID ? *AND THIS IS VERY IMPORTANT* - PAPERS NEED NOT be DIRECT EXAMINATIONS. In fact, WE ENCOURAGE submissions that pursue their interrogative work vis-a-vis CLOSE
 READINGS and exegeses of literary/cultural/historical/political texts and
 moments.

 SUBMISSION GUIDELINES
 Conference abstracts should be between 250-400 words and sent as email texts
 or as Microsoft Word attachments to either of the email addresses below.

 Presentations should not exceed 15 MINUTES (10-12 DOUBLE-spaced pages).

 The deadline for abstracts is Monday, AUGUST 6, 2001.

 Papers for abstracts selected for presentation are due NOVEMBER 1, 2001.
 Papers should also be emailed as Word attachments. If this is not possible,
 contact Khary Jones or Zaheer Ali and other arrangements will be made.

 CONTACTS
 Khary Jones (ksj14@columbia.edu)
 Zaheer Ali (za22@columbia.edu)

 Association of Black and Latino/a Graduate Students
 Graduate School of Arts and Sciences
 Columbia University
 535 West 116th Street, MC 4304
 109A Low Memorial Library
 New York, NY 10027

________________________________________________________________

HISPANIC INTERNET SUMMIT:
 "The Leadership Forum for Hispanics in the New Economy"
 April 26 - 29, 2001

The Hispanic National Bar Association, in partnership with the United
States Hispanic Chamber of Commerce, the National Society of Hispanic MBAs
and the League of United Latin American Citizens, is pleased to present
the inaugural Hispanic Internet Summit: "The Leadership Forum for
Hispanics in the New Economy," where business leaders, attorneys and
policymakers will gather to identify the wealth of new opportunities and
challenges presented by the New Economy.

The Hispanic Internet Summit is a high-level Conference designed to
explore the latest developments in the Internet industry - particularly
after a year that has brought seismic shifts to the Internet landscape.

By now you have heard that Hispanics are poised to become the largest
minority group in the United States by 2003, and you have heard about the
exponential growth of the Latin American Internet market. Those are not
events slated to happen in the distant future - they are happening right
now! By attending the Hispanic Internet Summit, you will gain
unparalleled access to the industry leaders and the decision makers who
will shape the course of the New Economy for years to come.

For details, please visit
http://www.hnba.com/Hispanic_internet_summit/index.htm

Jaime Viteri
SHPE-MRCC President

____________________________________________________

Popular Culture Association, October 18-20,
2001, Universidad de las Americas, Puebla-Cholula, Mexico.

*****Call for Papers*****
 Call for Papers: "Orality and Performance Stylistics in Literature by
 Women Writers of the Americas." Deadline for receipt of abstracts is May
 18. Please send abstracts to: ehawthorne@fac.howard.edu.; telephone
 (202) 806-4221.

 This panel seeks papers exploring writing based in orality and
 performance, by women of the Americas, especially as it consciously
 foregrounds linguistic innovativeness. Writers in this genre engage not
 only issues of self-expression and self-identity, but social structures
 so as to negotiate versions of national and cultural identity. Writers
 concerned with boundary crossings--of race, class, ethnicity,
 nationality, sexuality--are of particular relevance to this panel.

 Historical, cross-cultural, linguistic, interdisciplinary, theoretical
 are among the approaches we seek. Abstracts should be about 200 words,
 in English, on topics such as the following:

 Orality/performance: implications for literature, culture, education,
 popular culture, cross- or multi-cultural encounter
 Linguistic crossings: indigenous with hegemonic cultures Autobiography
 and memory-telling
 "Talk" and psycho-cultural function
 Orality and (re)configuring cultural/national identity
 Negotiating boundaries: literary, national, cultural, social
 Poetics of orality
 Politics of orality
 Homeostasis (Ong) and its contemporary relevance
 Theorizing orality in postcolonial literatures and cultures
 Orality as critique of historiography/anthropology
 Performance as liberation/resistance
 Postmodernity of performance/orality practice or poetics
 Vernacular idiom in twenty-first century popular or literary contexts
 Identity and self-expression versus the communal
 Orality and literacy
 Cultural idioms in a new cultural sphere

 For information on conference see web site: www.udlap.mx/congress, click
 on 3Popular Culture/American Culture2 etc. Program organizer is:
 RollinsPC@aol.com

"Movimentos Sociais: História e Historiografia" (Social
 Movements: History and Historiography)

*****CALL FOR PAPERS*****

The "Humanas" Review, a publication of the Humanities Sciences Center of the State University of Londrina, invites scholars to publish articles and
 reviews in the next number dedicated to History. Contributions should be on
 the theme: "Movimentos Sociais: História e Historiografia" (Social
 Movements: History and Historiography).

This subject raises the preoccupation to discuss and to present new studies
 in the Social History field. Further to evaluating, we can rethink analysis
 practices and Historical comprehension in view of the challenges placed by
 societies. Manifestations forms, organizations of groups and movements are
 some concerns that the Social History must respond to.
 Deadline: May, 15 Proposals should be sent to:

 Universidade Estadual de Londrina
 Revista Humanas - a/c André Joanilho.
 Departamento de História, sala 127A, CCH,
 Campus Universitário
 Rodovia Celso Garcia Cid, PR 445 Km 380.
 Cx Postal 6001
 86051-990 - Londrina - Paraná - Brasil
 

 André Luiz Joanilho
 Depto. de História
 Universidade Estadual de Londrina
 alj@uel.br

______________________________________________________________

Museums, Libraries and Archives: Summer Institute for Knowledge Sharing

Sponsored by UCLA's Department of Information Studies in the Graduate School of Education and Information Studies.

August 6-10, 2001  Los Angeles

 The UCLA/Getty Summer Institute is a forum for the intensive
 exploration of new methods for creating, sharing and preserving
 electronic information in libraries, archives, and other cultural
 heritage institutions. Information specialists, registrars,
 librarians, archivists, curators, researchers, and educators with
 responsibility for managing and disseminating information about their
 institutions' collections are invited to attend this five-day course.
 Sessions will take place on the UCLA campus and at the Getty Center.

 The Summer Institute will provide theoretical and practical sessions on:

 Special collection digitization projects: Implications on the
 collection, the institution, scholarship, interoperability, and
 longevity.

 Organization of and access to digital resources: Models, principles
 and tools for creating information and imaging systems in museums,
 libraries, and archives.

 Collaborating: Improving one's capacity to work and solve problems
 with others.
 Funding: Challenges, strategies, and opportunities.
 For course and registration information visit:

http://dlis.gseis.ucla.edu/si>http://dlis.gseis.ucla.edu/si

______________________________________________________________
 Women and Performance: a Journal of Feminist Theory

 Issue # 25: "The Labor of the Question: Dramaturgyî
 (In memoriam of Judy Rosenthal)

 **CALL FOR PAPERS**

Politically and socially engaged artists often experiment with innovative 
 approaches to the creative process. While exploring new methods 
 forstaging, directing, acting, and choreographing, these artists generate 
 powerful responses to the complex dynamics of image and identity in the 
 hyper-capitalism of the 21st century.

 To question both established methodologies for making performance and old 
 assumptions regarding text and stage is the creative, even subversive, 
 labor of the "dramaturg." To merge these old methods and assumptions with 
 new ones is to propose a "dramaturgy" that labors in and through our 
 multifaceted contemporary world.

 Dramaturgs work as collaborators, researchers, motivators, confidants, 
 disruptors, healers, and critics--often all at the same time. Working 
 across discrete categories is dramaturgyís subversive project -- calling 
 attention to the arbitrary nature of such categories, but also forcing the 
 creation of new modes of labor, divided according to sets of principles 
 that are never to be fully codified.

 As dramaturgy invades all levels of art-making, from theatre to dance, from 
 film to the visual arts, from architecture to the performance of "everyday 
 life" (with all its implications for a politics of identity) it proposes 
 ever renewed, ěyet-to-be-scripted,î artistic and political practices.

 Dramaturgy no longer defers to the past, nor to the hegemony of the text as 
 great pacifier of meaning. Rather, it provocatively turns towards the 
 textural and the excessive as sites for existential, dramatic, and 
 political in(ter)vention. Dramaturgy, as unexpected weaving of text and 
 texture, world and stage, presence and representation, becomes a 
 generatively disruptive process rather than a museological stabilizer of 
 theatrical and semiological
 truths. The creative and political potential of dramaturgy in contemporary 
 performance is thus filled with exponential amount of innovation and 
 resistance.

 This issue is in memory of Judy Rosenthal, and dedicated to her
 contributions to theorization of the field of dramaturgy. We are soliciting 
 papers that reconsider the aesthetic role and political power of dramaturgy 
 in contemporary art-making. We would like to encourage in particular essays 
 that explore innovative and experimental approaches to dramaturgy in the
 most diverse fields. Topics may include (but not be limited to), 
 "dramaturgy and feminism," "visual dramaturgy," "dramaturgy of everyday 
 life," "dramaturgy as resistance," "dramaturgies of
 the body," "dramaturgy and architecture," "dramaturgies of identities,"
 "dramaturgy and/in desire," "dramaturgical labor," "questioning 
 dramaturgy," "un/marking dramaturgy."

 We are asking for scholarly articles, art work, performance texts, reviews, 
 and experimental pieces of writing that address these topics. Article 
 manuscripts should be 15-20 double-spaced pages. Reviews at 3-5 pages.

 !!!HARD-COPIES ONLY PLEASE!!!

 Send two copies of articles and texts to:
 Cindy Brizzell and André Lepecki, Editors Issue 25
 Women & Performance
 New York University
 Tisch School of the Arts
 Department of Performance Studies
 721 Broadway, 6th Floor
 New York, NY 10003.

 DEADLINE -- JULY 30th 2001

______________________________________________________________

Racial (Trans)Formations:
Latinos and Asians Remaking the United States

*****CALL FOR PAPERS*****

 Whether as racialized labor migrations or colonized subject
 populations, Latinos and Asians have long played crucial roles in the
 social production of "America" and "American"-ness. Both Latin
 America and Asia, as well as Latinos and Asians, have been central to
 the consolidation of historical projects of U.S. nation-state
 formation and empire-building, at least since the nineteenth century.
   Nonetheless, a heightened and pronounced awareness of the
 significance of Latinos and Asians for the transformation of the
 contemporary U.S. has arisen largely in the wake of the monumental
 reformulation of the U.S. immigration and naturalization regime in
 1965. With Latinos and Asians together comprising the vast majority
 of contemporary migrants to the U.S., the intensified interest in
 these social groups is rather evidently animated by questions of
 racial formation and transformation.

 Social categories such as "Latino" (or "Hispanic") and "Asian" (or
 "Asian American") are notorious for the ambiguities and incongruities
 they entail for efforts in the United States to identify and name
 diverse groups of people with origins in these vast regions of the
 globe. Nonetheless, these hotly contested labels have become
 pervasive and increasingly salient, both for hegemonic projects that
 homogenize these groups as "minority" populations, political
 constituencies, or market segments, as well as for efforts that seek
 to produce community and build strategic coalitions for
 self-representation. The intrinsic incoherence of such social
 categories, combined with their persistent meaningfulness, are
 telltale indicators of the ongoing reconfiguration of Latinos and
 Asians as racial formations in the U.S.

 This conference contributes to a much-needed density of critical
 dialogue in the study of the United States through a concentrated
 focus on research that examines diverse social relations BETWEEN
 Latinos and Asians. Likewise, this call solicits paper proposals
 that foreground the wider processes of racialization that mediate
 constructions of both nationally-specific and pan-ethnic Latino and
 Asian identities in the U.S. -- in relation to one another, as well
 as in relation to the hegemonic polarity of whiteness and Blackness.

 While we are foregrounding the salience of Latino and Asian racial
 formations, it is likewise crucial that the gendered, sexualized, and
 class-specific dimensions of these social processes also be
 emphasized. Indeed, one of the central concerns of the conference
 will be to examine some of the ways that Latinos and Asians together
 are implicated in an on-going transnationalized reconfiguration of
 the broader social formation of the U.S. nation-state itself.

 The conference is sponsored by the Center for the Study of Ethnicity
 and Race at Columbia University, with the co-sponsorship of the
 Asian/Pacific/American Institute at New York University and the Center
 for Puerto Rican Studies (Centro) at Hunter College of the City
 University of New York.

 The event will be held on March 1-2, 2002 on the Morningside Heights
 campus of Columbia University in New York City. We welcome paper
 proposals from scholars operating in all disciplines and
 interdisciplinary fields concerned with Latino and Asian American
 Studies and the comparative study of racialization in the U.S.

 Abstracts are due by November 1, 2001.

 Send abstracts of papers to:
 Nicholas De Genova
 Assistant Professor of Anthropology and Latina/o Studies
 Columbia University
 416 Hamilton Hall, MC 2880
 1130 Amsterdam Avenue
 New York, NY 10027

 Email. npd18@columbia.edu
 Fax. 212-854-0500