Lotty Rosenfeld is an acclaimed Chilean visual artist, documentarian and videographer. Along with her work with the Colectivo de Acciones de Artes (CADA), Rosenfeld has done pioneering work in the field of video art and video performance. Winner of numerous awards and a regular participant in international exhibitions, most recently Documenta 2007, her emblematic works include Una milla de cruces sobre el pavimento (1979), Una herida americana (1982), Paz para Sebastian Acevedo (1985), El padre mío (1985), Nicanor Parra (1991), May Day (1993), By pass (1997), El empeño latinoamericano (1998), ¿Quién viene con Nelson Torres? (2001) La guerra de Arauco (2001) and Moción de orden (2002).