Photo: Naomi Angel
On June 1, 2008, the Indian Residential School Truth and Reconciliation Commission (IRS TRC) was established in Canada. The commission focuses on the treatment and abuse of Aboriginal children in the Indian Residential School (IRS) system in Canada.1 During the IRS system’s century-long history, at least 150,000 Aboriginal children attended the schools, where they were forbidden from practicing their traditional beliefs and cultures, and from speaking their native languages.2 Survivors of the system have spoken of the physical and sexual abuse they suffered at the schools. Many students were forcibly taken from their families and communities, and some children never returned home. The last school closed its doors in 1996.3
The former Portage la Prairie Indian Residential School, renamed the Rufus Prince Building
Photo: Naomi Angel
In general, truth commissions rely on particular narratives to re-write or re-frame a contested past. They often elicit experiences of trauma and/or narratives of survival. Although most truth commissions work under the premise of inclusivity, some voices always remain unheard. But truth commissions are not only about what can be told or heard; they are also about what can be seen. In the Canadian case, while many of the testimonies from former students will be taken in private, the IRS TRC’s national gatherings (seven in total) will be the most publicly visible aspect of the commission’s work. The first of these events, held in Winnipeg, Manitoba from June 15-19, 2010, proved to be a dynamic and complex experience. It was an opportunity to hear, watch, and participate in a public negotiation of collective memory in Canada. As such, there were many moments of tension and contradiction. The four days included the taking of statements, traditional ceremonies, plays, film screenings, an academic conference, and an opening night concert that drew thousands.
On the final day of the event, Governor General Michaëlle Jean arrived in Winnipeg to participate in the reconciliation process. As the liaison between the government of Canada and the Queen of England, the presence of the Governor General signaled executive approval of the events of the day. Arriving with her security in tow, her attendance lent the event a sense of formality. Throughout the day, Jean participated in the offering of the sacred fire ceremony, the youth sharing circle and the Powwow. Although there were many moments in the course of the four-day event that attracted media attention, the participation of Governor General on the final day drew much of it. But even this coverage was fleeting. The G20 summit was scheduled for the following week in Toronto and protests had begun in advance of the event. In the aftermath of both the national gathering and the G20, discussion of the protests in Toronto quickly overshadowed the events in Winnipeg. In this hierarchy of visibility, images of violence trump images of reconciliation.
Instances of police brutality in Toronto against protesters and bystanders at the G20 made visible the violence that the state can enact upon its citizens. In Winnipeg, the state was involved in a very different process, atoning for the violence of the past. On the last day of the event, in the Manitoba Theatre for Young People, Governor General Michaëlle Jean addressed the audience. “This is our duty now,” she said of the reconciliation process, of Canada’s duty to remember. “It is time for a rebirth.”
As many scholars have written in the past, revisiting a controversial and contested history, through truth commissions or other means, can configure and re-configure imaginings of the nation-state and its relationship to its citizens.4 In terms of regulating the national body, exclusionary and inclusionary practices of the state including immigration policies, land claims, rules of citizenship, as well as colonial policies of assimilation define who belongs to the national body and who does not (Gomez-Barris 2009). Truth commissions may also be seen as a form of regulation. In the Canadian case, survivors of the schools are called upon to share their experiences on a national stage. For some former students, sharing their stories may indeed bring healing or relief, but for others it will open old wounds that will be difficult to close.5
The national gathering was an opportunity for memory work to be done on a grand scale. But to understand the history of the IRS system, one will also have to look outside the confines of the truth commission and its activities. It is important to remember that sometimes memories can be loud, and sometimes they can whisper. About an hour’s drive from the fanfare of the first national gathering in Winnipeg stands the Rufus Prince Building, formerly the Portage la Prairie Indian Residential School. Shortly after the national gathering, I spent a day in Portage la Prairie, and visited the former school.6
In 2003, the site had been chosen to house the Indian Residential School Museum of Canada. Originally slated to open in 2008, the museum was meant to tell the history and legacy of the IRS system from an Aboriginal perspective. After the museum lost its funding, the project was put on hold. Many of the archival documents, artwork and photographs are still housed in the school’s basement. The building is now being used as the development and tribal offices for the Long Plain First Nation. The remnants of the past are still visible at the school, but the building has in some ways been reclaimed.
While on a tour of the grounds, I stepped into the shed located just behind the school. The walls of the shed had been marked by students who had scrawled their names and doodles on the wood surface. The writing was of the sort one often sees in school buildings, where in moments of camaraderie or solitude young people leave their mark as a sign of youthful rebellion. A few were simply names: “Walter Cameron,” “Harold Isaac.” Others commented on the school experience: “Indian Starving School.” Others were simply dates that marked the time students spent there. And some were a variation of the common phrase: “I was here,” followed by the date: “1954.” There was something particularly powerful about these declarative statements of presence. Written from within a system that had tried to assimilate the native population, these etchings had lasted over half a century.
The closing ceremony at the national gathering ended with fireworks and fanfare and the promise of more work to be done. The tensions inherent in the Canadian process, and the discourses and counter-discourses of memory circulating through and around it, were apparent at the event. As the process moves forward, it will be important to remember that these tensions come through in other ways as well. In contrast to the IRS TRC’s first national gathering, the writing on the wall of this former Indian Residential School reminds us that truth commissions are only one way in which the past can be revealed or engaged.
Naomi Angel is a doctoral candidate in Media, Culture, and Communication at New York University. Her research, funded by the Canadian Social Sciences and Humanities Research Council, focuses on cultural memory, visual culture and processes of memorialization. In particular, she focuses on the Indian Residential School Truth and Reconciliation Commission in Canada. For more information, visit her research blog: http://tracingmemory.com/
Notes
1 The IRS TRC was established through a class action lawsuit, which had over 80,000 claimants. The settlement stipulated reparations as well as the establishment of a TRC. After the first commission resigned within its first year, a new commission re-launched in June of 2009. The commission’s work will come to a close in 2014.
2 I use the term “Aboriginal” to refer to Inuit, Métis and First Nation populations. Each was affected by the IRS system. My intention is not to flatten the differences between these distinct groups.
3 For an in-depth history of the IRS system see Milloy (1999) or Miller (1996). For testimonies from a particular school, see Haig-Brown (1988).
4 For a range of examples in different contexts, see Gomez-Barris (2009), Frazier (2007), Jelin (2003), Coombs (2006), Bain (2001) or Sturken (2007).
5 I do not mean to foreclose on the potential that comes from sharing ones narrative, nor disregard the important role that oral traditions and storytelling play for some indigenous peoples. I do, however, want to draw attention to the ways in which truth commissions may constrain the narratives told. For examples from the South Africa case, see Slaughter (2007).
6 Thank you to the Long Plain First Nation community and particularly Ruth Roulette, Barb Esau, Robert Peters and Angela Roulette for sharing your time, memories and experiences.
Works Cited
Attwood, Bain. 2001. Telling Stories: Indigenous History and Memory in Australia and New Zealand. Crows Nest, New South Wales: Allen & Unwin.
Coombs, Annie, ed. 2006. Rethinking Settler Colonialism: History and Memory in Australia, Canada, Aotearoa New Zealand and South Africa. Manchester: Manchester University Press.
Frazier, Lessie. 2007. Salt in the Sand: Memory, Violence and the Nation-State in Chile, 1890 to the Present. Durham: Duke University Press.
Gomez-Barris, Macarena. 2009. Where Memory Dwells: Culture and State Violence in Chile. Berkeley: University of California Press.
Haig-Brown, Celia. 1988. Resistance and Renewal: Surviving the Indian Residential School. Vancouver: Arsenal Pulp Press.
Jelin, Elizabeth. 2003. State Repression and the Labors of Memory. Trans. Judy Rein and Marcial Godoy-Anativia. Minneapolis: University of Minnesota Press.
Miller, J.R. 1996. Shingwauk's Vision: A History of Native Residential Schools. Toronto: University of Toronto Press.
Milloy, John. 1999. A National Crime: The Canadian Government and the Residential School System, 1879 to 1986. Winnipeg: University of Manitoba Press.
Slaughter, Joseph. 2007. Human Rights Inc.: The World Novel, Narrative Form, and International Law. Bronx: Fordham University Press.
Sturken, Marita. 2007. Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero. Durham: Duke University Press.
Memories of Reconciliation: Photography and Memory in Postwar Peru
Deborah Poole and Isaías Rojas Pérez
Politics of Representation. Art & Human Rights
Andrea Giunta
Traumatizing the Truth Commission:Amnesty, Intentionalist Teleology, and the Event
Allen Feldman
The Power of Pink: Performing the Archive in the Works of Ernesto Salmerón
Carla Macchiavello
¿Y, después de la verdad? El espacio público y las luchas por la memoria en la post CVR, Perú
María Eugenia Ulfe and Cynthia Milton
Trauma, memoria y performance: Un recorrido por Villa Grimaldi con Pedro Matta
Diana Taylor
Means and End/s of Clandestine Life
Diane Nelson
Depths of the Present: State Violence and the Neoliberal State
Clara Han
The Nation Gathers
Naomi Angel
El tumulto de las fronteras
Nelly Richard
¿Espacios para la memoria? ¿Para quiénes?
Elizabeth Jelin
Ni más ni menos. Los mismos derechos, con los mismos nombres: 2010, año de la igualdad en Argentina
Esteban Paulón
Chile’s MarchaRearme and the Politics of Counter-Commemoration
Katherine Hite
Apuntes fotográficos de posdictadura
Natalia Fortuny
Mozambique: Reconciliation without "Truth"
Juan Obarrio
Still Waiting
Jo-Marie Burt
Seeing, Counting, Taking Time: Memory and the Iraq War
Marita Sturken
la geometría de la conciencia
Alfredo Jaar
Against the Grain: Cultural Politics After Peru's Troubled Times
Macarena Gómez-Barris
Marina Abramović’s Time: The Artist is Present at the Museum of Modern Art
Abigail Levine
Contextualizing Truth: Recent Contributions to Discourses of Reconciliation in Canada
Naomi Angel
Desmemoria y Perversión: privatizar lo público, mediatizar lo íntimo, administrar lo privado by Fernando A. Blanco
Isabel Baboun Garib
Reckoning with Pinochet: The Memory Question in Democratic Chile, 1989-2006 by Steve J. Stern
Patrick Blaine
Trans Desire by Micha Cárdenas
Zach Blas
El siluetazo, edited by Ana Longoni and Gustavo Bruzzone
Celina Fassi Cardoso
Crítica de la memoria: 1990-2010 by Nelly Richard
Jean Franco
On Art, Artists, Latin America, and Other Utopias by Luis Camnitzer
Antonia Garcia Orozco
Performing South Africa’s Truth Commission: Stages of Transition by Catherine M. Cole
Robyn Green
The President Electric: Ronald Reagan and the Politics of Performance by Timothy Raphael
Angela Marino Segura
Where memory dwells: Culture and state Violence in Chile by Macarena Gómez-Barris
Kaitlin McNally-Murphy
Prismas de la memoria: narración y trauma en la transición chilena by Michael J. Lazzara
Judith Sierra-Rivera
Telling Ruins in Latin America, edited by Michael J. Lazzara and Vicky Unruh
Tamara Lea Spira
Memoria en construcción: el debate sobre la Esma, edited by Marcelo Brodsky
Yael Zaliasnik Schilkrut
¿Patria o muerte? by Pablo Ramírez
Reinaldo Amién Gutiérrez
Halcón de Oro Qorihuaman by Rodolfo Rodríguez and Raúl Cisneros
Ivone Barriga
The smell of Popcorn by Teatro iati and World Players, Inc.
Li Cornfeld
Cimientos Performance Workshop and Symposium
Tara Daly
Blackwaters by Matthew B. Jenkins
Adriana Pilar Nieto
Solo with Variations 2 (For Vladimir Ilich L.) by Nelson Rivera / Mizery
Lilliana Ramos Collado
Fernando Pertuz
Miguel Rojas-Sotelo
Situación de Colombia by Teatro Efímero Putumayo
Paloma Salgado Jiménez
Mi vida después
Cecilia Sosa
Vidas paralelas
Cynthia E. Milton
Felandus Thames
Charlie Samuya Veric