[Page 5: Another Kind of Love: A Performance of Prosthetic Politics by Debra Levine]

Works cited:

Alach, Nancy.  ACT UP Civil Disobedience Training:  Affinity Groups and Support.  28 November 2004.

http://www.actupny.org/documents/CDdocuments/Affinity.html

Barthes, Roland.  Camera Lucida: Reflections on Photography.  New York: Hill and Wang, 1981.

Bookchin, Murray.  Post Scarcity Anarchism.  Montreal/Buffalo, NY: Black Rose Books, 1986.

Bordowitz, Gregg.  Personal interview.  20 November 2004.

Cvetkovich, Ann.  "AIDS Activism and Public Feelings: Documenting ACT UP's Lesbians."  An Archive of Feelings: Trauma, Sexuality and Lesbian Public Cultures.  Durham & London:  Duke University Press, 2003.

DIVA TV.  Like A Prayer: Stop the Church.  28:22 min.  ACT UP New York and WHAM (Women's Health Action Mobilization), 1990. 

Farmer, Paul.  AIDS and Accusation: Haiti and the Geography of Blame.  Berkeley/Los Angeles/London: University of California Press, 1992.

Flash, Lola.  For Ray.  Photograph.  1995.

http://www.lolaflash.com/

Foucault, Michel.  The History of Sexuality, Vol. 1: An Introduction.  Trans. by Robert Hurley.  New York: Vintage Books, 1990. 

Foucault. Michel.  "The Ethic of Care for the Self as a Practice of Freedom:  An interview with Michel Foucault on January 20, 1984, conducted by Raul Fornet Betancourt, Helmut Becker, and Alfredo Gomez-Muller."  The Final Foucault,  eds. James Bernauer and David Rasmussen.  Cambridge MA and London: The MIT Press, 1984.

Fynsk, Christopher.  "Foreword."  The Inoperative Community.  By Jean-Luc Nancy.  Ed.  Peter Connor. Trans. by Peter Connor, Lisa Garbus, Michael Holland and Simona Sawhney.  Minneapolis and Oxford: University of Minnesota Press, 1991.

Goethe, Johann Wolfgang von.  Elective Affinities. Trans. Mayer Elizabeth and Louise Bogan, intro. by Victor Lange.  Chicago: Henry Regnery Company, 1963.

Halperin, David M.  Saint Foucault: Towards a Gay Hagiography.  New York: Oxford: Oxford University Press, 1995. 

Leonard, Zoe.  Personal interview.  5 November 2004

Muñoz, Jose Esteban.  "Feeling Brown and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs)."  Theatre Journal, Volume 52, Number 1, March 2000, pp. 67-79.

Nancy, Jean-Luc,  The Inoperative Community.  Ed. Connor, Peter, Lisa Garbus, Michael Holland and Simona Sawhney with a forward by Christopher Fynsk.  Minneapolis/Oxford: University of Minnesota Press, 1991.

Navarro, Ray.  "An Army of Lovers."  An Army of Lovers:  AIDS and Censorship.  Curated by Aldo Hernandez.  P.S. 122, New York, New York, 1990.

Navarro, Ray and Zoe Leonard.  Equipped.  Photographic triptych, 1990.

Nora, Pierre.  "Between Memory and History: Les Lieux de Memoire."  History and Memory in African American Culture, eds. Fabre, Genevieve, and Robert O'Meally.  Oxford/New York: Oxford University Press, 1994. 

Petrelis, Michael.  "Interview 20: "Action! Action! Action!"  ACT UP Oral History Project. Interview with Sarah Schulman, April 21, 2003.  <http://www.actuporalhistory.org/interviews/index.html>  1 May 2005

Russo, Vito.  Why We Fight. ACT UP Demonstration, Albany New York. 9 May 1988 and ACT UP Demonstration at the Department of Health and Human Services, Washington, D.C. 10 October 1988.

http://www.actupny.org/documents/whfight.html

Saalfield ( a.k.a. Gund), Catherine and Ray Navarro.  "Shocking Pink Praxis."  Inside/Out:  Lesbian Theories, Gay Theories, ed. Diana Fuss.  New York and London: Routledge, 1991.

Takemoto, Tina.  "The Melancholia of AIDS: Interview with Douglas Crimp".  Art Journal, Winter 2003.  Ann Arbor, Michigan: College Art Association of America.  http://www.findarticles.com/p/articles/mi_m0425/is_4_62/ai_111655803/pg_2

Watney, Simon.  "The Spectacle of AIDS."  The Lesbian and Gay Studies Reader, eds. H. Abelove, M.A. Barale and D.M. Halperin.  New York and London: Routledge, 1993.

Debra Levine, a former theatre director, AIDS activist and documentary producer, is a doctoral candidate in the Performance Studies department at New York University. Her work currently focuses on AIDS memorials, specifically those created for “"World AIDS Day”" and “"A Day Without Art,”" as performative practices of resistance.