Resist the impulse to translate, pronounce it first. Think consciously of the sound. Let the arch of the r roll over the ah that automatically depresses the tongue; allow the hiss in the s that will culminate at the front of the teeth to entice the jaw to drop for the an sound while un-smacking the lips will propel the bl surrounding the depressed ah again ending with j. Play with its contours. Know what this word feels like in your mouth. In Haitian Kreyòl. 3 syllables. Ra-San-Blaj.
Atlantic Ontologies: On Violence and Being Human
Professing Slackness: Language, Authority, and Power Within the Academy and Without
Puerto Rican Rasanblaj: Freddie Mercado's Gender Disruption
From Bush to Stage: The Shifting Performance Geography of Haitian Rara and Cuban Gagá
We Have No Recipes for the Foods of the Future
Moments of Redemption: Decolonization as Reconstitution of the Body of Katari
Groundings on Rasanblaj with M. Jacqui Alexander
El Ciervo Encantado. Performance, Space, and the Political in El Ciervo Encantado
Spectres of l'Ouverture. A Ghost Is Haunting Your Museum: The Ghost of Black Copenhagen
Blesi Doub. Heridas Dobles. Dual Wounds.
a despot walks into the killing field
Into the Invisible: A Conversation-Performance Rasanblaj with Josefina Baez
Transnationalism and Manuel Ramos Otero's "Traveling Theater" of Return
Fe Yon Rasanblaj: A Body Portal Fantasy Book
Enacting Dissent: Toward a Cartography of Dissenting Performatics in the Greater Caribbean
Remaking Fractal Engagement: 6 Perspectives
little sister: A Black Speculative Solo-Performance
The Laboratory of Speculative Ethnology: Suits of Inquiry
Dedouble and Jeanguy Saintus' Corporeal Gifts
Caribfunk: A Mélange of Caribbean Expressions in a New Dance Technique
Assemblage, Rasanblaj: The Making of Sable International
Omens of Adversity: Tragedy, Time, Memory, Justice by David Scott
Tropic Tendencies: Rhetoric, Popular Culture, and the Anglophone Caribbean by Kevin Adonis Browne
Pordioseros del Caribe por Johan Majail
In Visible Movement: Nuyorican Poetry from the Sixties to Slam by Urayoán Noel
Vodou et théâtre: Pour un théâtre populaire par Franck Fouché
Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens
Island Bodies: Transgressive Sexualities in the Caribbean Imagination by Rosamond S. King
Citizenship from Below: Erotic Agency and Caribbean Freedom by Mimi Sheller
Teatro militante. Radicalización artística y política en los años 70 por Lorena Verzero
Performing Archives/Archives of Performance edited by Gundhild Borggreen and Rune Gade
Un haití dominicano. Tatuajes, fantasmas y narrativas bilaterales por Alanna Lockward
Gender and Violence in Haiti: Women's Path from Victims to Agents by Benedetta Faedi Duramy
Blacks in Blackface: A Sourcebook on Early Black Musical Shows by Henry T. Sampson
Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age by Lara Putnam
Racial Experiments in Cuban Literature and Ethnography by Emily A. Maguire
Islands of Empire: Pop Culture and U.S. Power by Camilla Fojas
Gatherings: María Magdelena Campos-Pons and the Art of Recovery
La cautiva written by Luis Alberto León and directed by Chela de Ferrari