[Compiled by Kelly McKay, 2010]
Birringer, Johannes. "La Melancolía De La Jaula (The Melancholy of the Cage)." Performing Arts Journal 18.1 (1996): 103-28. JSTOR. <http://www.jstor.org/stable/3245821>.
Corrales, Julio. “Entrevista a Liliana Felipe en Montevideo.” El Faro, Montevideo, Uruguay. 7 October 2007. <http://macupoeta.blogspot.com/2007/10/entrevista-liliana-felipe-en-montevideo.html>.
Costantino, Roselyn. "Embodied Memory in Las Horas De Belén. A Book of Hours." Theatre Journal (2001): 607-32.
Crosby, Clara and Marlene Ramírez-Cancio. “Entrevista a Jesusa Rodríguez y Liliana Felipe.” Holy Terros Web Cuaderno. Hemispheric Institute of Performance and Politics, 17 June 2001. <http://www.hemi.nyu.edu/cuaderno/holyterrorsweb/liliana/index.html>.
Dudin, Dmitri, Liliana Felipe and Jesusa Rodríguez. "Los paraísos (Lyrics by Jesusa Rodríguez and Liliana Felipe, Music by Liliana Felipe and Dmitri Dudin)." Debate Feminista 15.29 (2004): 377-380.
Jiménez, Christie. "Once, Twice, and for All: Experiencing 'All of Cabaret PreHispanico El Ombligo de las Diosas,' a performance by Jesusa Rodríguez and Liliana Felipe." Hemispheric Institute of Performance and Politics, New York University. 2005. 22 Oct, 2007 <http://hemi.nyu.edu/archive/studentwork/indigeneity/christie/ Hemispheric%20Institute%20Course%20Project.html>.
Felipe, Liliana and Jesusa Rodríguez. "Fallamos como especie (Lyrics by Liliana Felipe, Music by Jesusa Rodríguez and Liliana Felipe)." Debate Feminista 16.31 (2005): 367-370.
---. "No nos van a centavear (354): El himno de las trabajadoras sexuales (Lyrics by Jesusa Rodríguez, Music by Liliana Felipe)." Debate Feminista 15.30 (2004): 326-330.
---. "Lilith: El segundo fracaso de Dios (Lyrics by Jesusa Rodríguez, Music by Liliana Felipe)." Debate Feminista 4.8 (1993): 434-438.
---. “A nadie: Opus 136.” Debate Feminista 6.11 (1995): 397-400.
---. “Chupamos faros.” Debate Feminista 9.18 (1998): 455-468.
Franco, Jean. "A Touch of Evil: Jesusa Rodríguez's Subversive Church." Negotiating Performance: Gender, Sexuality, and Theatricality in Latino America. Ed. Taylor, Diana and Juan Villegas. Durham, NC: Duke U P, 1994. 159-75.
---. "A Touch of Evil: Jesusa Rodríguez's Subversive Church." TDR: A Journal of Performance Studies 36.2 (1992): 48-61.
Friera, Silvina. "Entrevista a La Compositora Liliana Felipe." Página 12, Buenos Aires, Argentina. 5 Mar. 2005. <http://www.pagina12.com.ar/diario/espectaculos/6-48054-2005-03-05.html>.
Molarsky, Mona. "How 'Belen' Was Born." American Theatre 54 (1999). Literature Resource Center.
Priego, María Teresa, Liliana Felipe, and Jesusa Rodríguez. “Las histericas.” Debate Feminista 11.21(2001): 317-320.
Rodríguez, Antoine. "El Cielo De Abajo: Una Puesta En Escena De Jesusa Rodríguez Y Liliana Felipe." Théatre, Public, Société. Eds. Daniel Meyran, Alejandro Ortiz, y Francis Sureda. Perpignan: Presses Universitaires De Perpignan, 1998.
Taylor, Diana. "'High Aztec' Or Performing Anthro Pop: Jesusa Rodríguez and Liliana Felipe in Cielo de abajo." TDR: A Journal of Performance Studies 37.3 (1993): 142-52.
Tejeda, J. Luis. “Entrevista con Liliana Felipe.” Radio Chapingo. 1610 AM, Ciudad de Mexico, 22 November 2003. Radio. <http://dasrutial.blogspot.com/2008/03/entrevista-vieja-liliana-felipe.html>.