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Bibliography

[compiled by Angela Marino Segura, 2008]

Barnett, Claudia. "'In Your Dreams!': Deb Margolin's Fantasy/Drama." Staging a Cultural Paradigm: The Political and the Personal in American Drama. Ed. Barbara Ozieblo and Miriam López-Rodríguez. Brussels, Belgium: Presses Interuniversitaires Européennes (P.I.E.), 2002. 377.

Bender, Felicia Aline. "Girls Will be Boys and Boys Will be Girls: Gender Subversion in the Work of Split Britches Company and the Ridiculous Theatrical Company, 1967-1996." Diss. U of Missouri, Columbia, 1997.

Blair, Rhonda. "The Alcestis Project: Split Britches at Hampshire College." Women & Performance: A Journal of Feminist Theory 6.1 (1993): 147-76.

Burk, Juli. "Valley of the Dolls' House: Split Britches did it with Feminism in the Sitting Room." Constructions and Confrontations: Changing Representations of Women and Feminisms. Ed. Cristina Bacchilega and Cornelia N. Moore. Honolulu: U of Hawaii P, 1996. 336.

Case, Sue-Ellen. "From Split Subject to Split Britches." Feminine Focus: The New Women Playwrights. Ed. Enoch Brater. Oxford: Oxford UP, 1989. 283.

---. Split Britches: Lesbian Practice/Feminist Performance. London-New York: Routledge, 1996.

---. "Toward A Butch-Femme Aesthetic." Making a Spectacle: Feminist Essays on Contemporary Women's Theater. Ed. Lynda Hart. Ann Arbor: U of Michigan P, 1989. 282-299.

See also:
Case, Sue-Ellen. "Toward A Butch-Femme Aesthetic."
The Lesbian and Gay Studies Reader. Ed. Michele Aina Barale, David M. Halperin, and Henry Abelove. New York: Routledge, 1993. 294-305.

Cave, Richard Allen. "Engendering Confusion," Anthropological Perspectives. Ed. Werner Huber and Martin Middeke. Trier, Germany: Wissenschaftlicher, 1998. 211.

Davy, Kate. "Fe/Male Impersonation: The Discourse Of Camp." Critical Theory and Performance. Ed. Janelle Reinelt and Joseph Roach. Ann Arbor: U of Michigan P, 1993. 231-247.

---. "Peggy Shaw and Lois Weaver: Interviews (1985, 1992, 1993)." Modern Drama. Ed. William Worthen. New York: Harcourt Brace College Publishers, 1995. 1003-1008.

---. "Reading Past the Heterosexual Imperative: 'Dress Suits to Hire'." TDR: The Drama Review 33.1 (Spring 1989): 153-170

de Lauretis, Teresa. "Sexual Indifference and Lesbian Representation." Theatre Journal 40.2 (May 1988): 155-177.

Diamond, Elin. "Mimesis, Mimicry, and The 'True-Real'." Acting Out: Feminist Performances. Ed. Lynda Hart and Peggy Phelan. Ann Arbor: U of Michigan P, 1993. 363-382.

Dolan, Jill. "Desire Cloaked in a Trenchcoat." TDR: A Journal of Performance Studies 33.1 (1989): 59-67.

---. "Practicing Cultural Disruptions: Gay And Lesbian Representations and Sexuality." Critical Theory and Performance. Ed.Janelle Reinelt and Joseph Roach. Ann Arbor: U of Michigan P, 1993. 263-275.

---. Presence and Desire: Essays on Gender, Sexuality, Performance. Ann Arbor: U of Michigan P, 1993.

---. "The Dynamics of Desire: Sexuality and Gender in Pornography and Performance." Theatre Journal 39.2 (1987): 156-74.

Geis, Deborah R. "Deconstructing (A Streetcar Named) Desire: Gender Re-Citation in Belle Reprieve." American Drama 11.2 (2002): 21-31.

Harris, Geraldine. "Double Acts, Theatrical Couples and Split Britches' 'Double Agency'." New Theatre Quarterly 18.3 (2002): 211-21.

Harris, Hilary. "Theatre Review: Circus of a Queer Nature / Anniversary Waltz." Theatre Journal 42.4 (1990): 484.

Hart, Lynda. "Afterword: Zero Degree Deviancy -- 'Lesbians Who Kill'." Fatal Woman: Lesbian Sexuality and the Mark of Aggression. Princeton: Princeton U P, 1994. 155-160.

---. "Identity and Seduction: Lesbians in the Mainstream." Acting Out: Feminist Performances. Ed. Lynda Hart and Peggy Phelan. Ann Arbor: U of Michigan P, 1993. 119-137.

---. "Theatre Review: Lesbians Who Kill." Theatre Journal 44.4 (1992): 515.

Hart, Lynda, and Peggy Phelan. "Queerer than Thou: Being and Deb Margolin." Theatre Journal 47.2, Gay and Lesbian Queeries (1995): 269-82.

Langworthy, Douglas. "Deb Margolin: Take Back Your Proscenium." American Theatre May-June 1996: 38+.

Leondar, Gail. "Theatre Review: Belle Reprieve." Theatre Journal 43.3 (1991): 386.

Parnes, Uzi. "Pop Performance, Four Seminal Influences: The Work of Jack Smith, Tom Murrin--the Alien Comic, Ethyl Eichelberger, and the Split Britches Company (New York)." Diss. New York U, 1988.

Patraka, Vivian M. "Split Britches in Little Women: The Tragedy: Staging Censorship, Nostalgia, and Desire." The Kenyon Review 15 (1993): 6-13.

Patrascu-Kingsley, Ken. "Masquerading Gender in Belle Reprieve: Adapting A Streetcar Named Desire for Transgendered Theatre." Theatron (2004): 21-38.

Pellegrini, Ann. "From the Stage to the Page." The Women's Review of Books 15.1 (1997): 22-3.

Shaw, Peggy. "How I Learned Theater." Cast Out: Queer Lives in Theater. Ed. Robin Bernstein. Ann Arbor: University of Michigan Press, 2006. 25-9.

Shaw, Peggy, Deborah Margolin, and Lois Weaver. "Split Britches: A True Story." Women and Performance 4.2 (1989): 68-95.

Shedd, Sally H. "Gender Traders/Gender Traitors: Staging Non-Traditional Gender Roles and Alternative Sexualities." Diss. U of Kansas, 1998.

Solomon, Alisa. "It's Never Too Late to Switch: Crossing Toward Power." Crossing the Stage: Controversies on Cross-Dressing. Ed. Lesley Ferris. London: Routledge, 1993. 144-154.

---. "The WOW Cafe." TDR: A Journal of Performance Studies 29.1, East Village Performance (1985): 92-101.

---. "Three Canonical Crossings." Re-Dressing the Canon: Essays on Theater and Gender. New York: Routledge, 1997. 130-164.

Strand, Ginger. "Split Britches." High Performance 15.2-3 (1992): 76-7.

Willis, Julia. "The Splittin' Image." The Lesbian Review of Books III.3 (1997): 11.