Roberts, Elizabeth F. S. God’s Laboratory: Assisted Reproduction in the Andes. Berkeley: University of California Press, 2012. 298 pages; $29.95 paper.
Through an in-depth ethnographic study of assisted reproduction, Elizabeth F. S. Roberts, Assistant Professor of Anthropology at the University of Michigan, examines the malleability of the maternal world in urban Ecuador. Working closely with five of the nine country’s IVF clinics, Roberts highlights the historical, racial and economic differences between Quito and Guayaquil as well as what makes “nuestra realidad” or “our reality” so unique for this nation. In God’s Laboratory: Assisted Reproduction in the Andes, Roberts traces the role of interdependence over autonomy by uncovering the value placed on assistance in this context of care: a form of assistance that combines technology, human and spiritual entities. Moreover, she argues that assisted reproductive technologies in Ecuador fit within an existing local system that focuses on care and cultivating relationships rather than debating issues of life.
The book is organized in five chapters, each beginning with a compelling portrait of a woman undergoing IVF treatment. Roberts introduces us to Sandra, Consuelo, Teresa, Frida, and Vanessa along with their partners, family members and care providers. These intimate accounts highlight real patients’ experiences with IVF and further illustrate Roberts’ argument that “there is no universal body and no normative experience of embodiment” (18). These portraits set the stage for each chapter, and Roberts carefully integrates these stories within her theoretical argument, thus crafting an effective model of the ethnographic process.
In chapter one, Roberts situates private IVF clinics in relation to the Catholic Church and Ecuadorian state. We meet Sandra, a woman suffering the consequences of unsafe abortions. Her story exemplifies what Roberts and anthropologist Lynn Morgan define as “reproductive governance” (38). It illustrates how state and church policies affect certain bodies differently, as illegal abortions on poor women become a form of “corporeal punishment” (67). Roberts uncovers a rationale based on relational exchanges, which is illustrated by women like Sandra who understand the consequence of their abortion as a debt to God and who understand the IVF process as reinforcing relations among family groups as well as with God.
In the chapter that follows, Roberts unpacks the history of mestizaje by illustrating how IVF participants are actively involved in the national whitening project. Roberts identifies “corporeal relations within biomedical care” as a factor in determining race in Ecuador (76). The story of Consuelo and Jorge, parents suffering tremendous debt after having twins from egg and sperm donation, exemplifies Roberts’ discussion of “assisted whiteness,” a form of care, interventions, and invasive procedures that literally mark women’s bodies (76). Procedures like dilation and curettage and cesarean section permanently scar women’s bodies, leaving signs of participation in private medicine and assisted whiteness. Roberts’ describes how women become “whiter reproducers not through education or professional advancement, but through being cared for the way whiter women are cared for” (75).
The importance of establishing kin-making through care is highlighted during the process of anonymous egg donation in chapter three. Roberts provides brief profiles of egg and sperm donors and shares the story of Teresa and Manuel, parents cultivating their son’s whiteness beyond the color of his skin through material practices and behaviors such as dress and education. In chapter four, Roberts uses key anthropological literature on kinship and exchange to discuss the economy of egg trafficking for women in Ecuador, a process for young women described as “a way to subvert their roles, to become the exchangers rather than the exchanged” (161). This process is described as form of female economic alliance, which strengthens existing family connections. Yet participation in this economy of exchange can also end in weaker relations, as illustrated in the story of Frida, who becomes pregnant with twins after receiving donated eggs from her nephew’s wife Anabela. Frida and Anabel’s story supports Roberts’ emphasis on the importance of cultivated kinship in Ecuador by highlighting three narratives of relatedness: genetics, blood (exchanged in the womb), and care.
The power of kinship extends to decisions of embryo circulation and cryopreservation in chapter five. As Roberts asserts, “The embryo is not everywhere the same: it is an object assembled within specific material and political realities through which practices or relatedness, personhood, and human life are articulated and negotiated” (210). The author draws on Vanessa’s story of multiple failed IVF attempts leading to the successful birth of quadruplets as a window into discussions on the cultivation of personhood and issues of abandonment. Like many IVF patients, Vanessa was relieved when God saved her from deciding the fate of her extra embryos, illustrating the importance of relatedness over life in Ecuador.
In God’s Laboratory, Roberts contextualizes reproductive assistance in rich ethnographic detail to uncover its diversity of forms including medical, familial, and spiritual. Roberts offers an original analysis of the complicated relationship between technology and religion while encouraging more discussion, including cross-cultural comparisons, on practices of care related to assisted reproduction. An invaluable contribution to medical anthropology, Latin American studies and gender and women’s studies, God’s Laboratory provides an insightful analysis of the nature of person-making and the role of technology and faith to family formation.
Angela Castañeda is Associate Professor of Anthropology at DePauw University. Her research in Brazil, Mexico, and the U.S. explores questions on religion, ritual, expressive culture and the anthropology of reproduction. Her most recent publication, "Performing the African Diaspora in Mexico" is in Comparative Perspectives on Afro-America (2012), and she has a forthcoming article, “Moved by the Spirit: The Role of Performance in Teaching African Diasporic Religions,” in The Journal of Africana Religions (2013). A practicing birth and postpartum doula, Dr. Castañeda’s current research revolves around “mothering the mother” and the role of doulas in birth culture. She was awarded a New Directions Grant (2010) from the Great Lakes Colleges Association and a Faculty Fellowship (2011-2014) for her research on doulas. Dr. Castañeda is also the recipient of the George and Virginia Crane Distinguished Teaching award (2011-2012), and she serves on the Advisory Council for the International MotherBaby Childbirth Organization (IMBCO).
tendencias Humanas
Ed Cohen
APARENCIAS E MODOS DE VIDA: TOPOGRAFIAS DO VIVIENTE NA POESIA E NAS ARTES VISUAIS
Eduardo Jorge
fronteiraS Do humano
María Esther Maciel
Espacios de Especies
Raúl Antelo
Para Una Teoría Literaria Posthumanista
Julieta Yelin
Comunidad, Inmunidad, Biopolítica
Roberto Esposito
Animals and Archives
Zeb Tortorici
Eduardo Viveiros de Castro: Some Reflections on the Notion of Species
Álvaro Fernández Bravo
El Animal Comunista
Gabriel Giorgi
Performing Biotechnology
Jennifer Willet
una especie no endemica: o bicho suspenso na paisagem de ernesto neto
Álvaro Fernández Bravo
AKBAR STOLE MY HEART: COMING OUT AS AN ANIMALIST
Alexandra Isfahani- Hammond
El Matadero
Martín Kohan
KILTR@
Cheto Castellano and Lissette Olivares
LA VOZ PRESTADA DE LOS ANIMALES
Sergio Chejfec
Sobre biopolítica y el Giro Animal: entrevista con cary wolfe
Cary Wolfe and Gabriel Giorgi
Sentencia de Vida
Fermín Rodríguez
Species and belonging
Nuno Ramos
pintacanes
Lissette Olivares
May the horse live in me
Marion Laval-Jeantet
performing the u.s. latina and latino borderlands por Arturo j. Aldama, chela sandoval, and peter j. garcia
Yvette Martinez-Vu
From Liberation to Conquest: the Visual and Popular Cultures of the Spanish-American War of 1898 por Bonnie M. Miller
Autumn Womack
animacies: biopolitics, racial mattering, and queer affect por Mel y. chen
Leon Hilton
Neoliberalism and Global Theatres: Performance and Permutations Editado por Lara D. Nielsen and Patricia Ybarra
Camila González Ortíz
How a revolutionary art became official culture: murals, museums, and the mexican state por mary coffey
Christopher Fraga
Raíces y semillas: maestros y caminos del teatro en América Latina por miguel rubio zapata
Carla Pereira Souza
Art and Social Movements: Cultural Politics in Mexico and Aztlán por Edward J. McCaughan
Nicholas Crane
God's Laboratory: Assisted Reproduction in the Andes por Elizabeth F.S. Roberts
Angela Castañeda
Becoming Undone: Darwinian Reflections on Life, Politics and Art por Elizabeth Grosz
Juan Marguch
Exercises for Rebel Artists: Radical Performance Pedagogy por Guillermo Gomez-Pena and Roberto Sifuentes
Antonio Prieto Stambaugh
Jungle Fever: Exploring Madness and Medicine in Twentieth Century Tropical Narratives por Charlotte Rogers
Felipe Martínez Pinzón
Viajes Virales por Lina Meruane
Sebastián Reyes
before the law: humans and other animals in a biopolitical frame por cary wolfe
Gabriel Giorgi
The spirits and the law: Vodou and Power in Haiti por Kate Ramsey
Gina Athena Ulysse
Every Twelve Seconds: Industrialized Slaughter and the Politics of Sight por Timothy Pachirat
Susan Grelock
The National Dance Theatre Company of Jamaica's 50th anniversary season
Lara Cahill-Booth
La Aguja, una pelícla de Carmen Oquendo-Villar y Jose Correa-Vigier
Liliana Ramos Collado