Bibliografía

[compilada por Angela Marino Segura, 2008]

Bell, Elizabeth. "When Half the World's a Stage: A Feminist Excavation of Richard Schechner's Theory of 'Actuals'." Theatre Annual: A Journal of Performance Studies 55 (2002): 112-31.

Calzadilla, Fernando. "YokastaS." Theatre Journal 55.4 (2003): 710.

Davis, Sara. "Chinese Theories of Theater and Performance: From Confucius to the Present." Theatre Survey 42.1 (2001): 96.

Epskamp, Kees. "Intercultural Puzzles: Richard Schechner and the Anthropology of Theatre in the 20th Century." Anthropos: International Review of Anthropology and Linguistics 98.2 (2003): 499-509.

Harbeck, James Christopher. "'Containment is the Enemy': An Ideography of Richard Schechner." Diss. Tufts U, 1998.

Harding, James M. "An Interview with Richard Schechner." Contours of the Theatrical Avant-Garde: Performance and Textuality. Ed. James M. Harding. Ann Arbor, MI: U of Michigan P, 2000. 301.

Herman, William. "Richard Schechner Descending a Staircase: American Theatre New'd in the Seventies." Kansas Quarterly 3.2 (1971): 32-40.

Lewis, Robert. "Would You 'Please' Talk to those People?" Drama Review 9.2 (1964): 97-113.

Lichti, Esther Sundell. "Richard Schechner and the Performance Group: A Study of Acting Technique and Methodology." Diss. Texas Tech U, 1986.

Mann, Paul. "Theory and Practice." Drama Review 9.2 (1964): 84-96.

Mason, David. "Rasa, 'Rasaesthetics' and Dramatic Theory as Performance Packaging." Theatre Research International 31.1 (2006): 69.

Mazer, Sharon. "Theatre Review: Faust/Gastronome." Theatre Journal 46.1 (1994): 132.

Page, Geraldine. "Interview with Richard Schechner." Drama Review 9.2 (1964): 114-30.

Performance Group, et al. Dionysus in 69. 1st ed. New York: Farrar, Straus and Giroux, 1970.

Schechner, Richard, and Willa Appel. By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge; New York: Cambridge University Press, 1990.

Schechner, Richard, Michele Minnick, and Paula Murray Cole. "Rasaesthetics." TDR: A Journal of Performance Studies 45.3 (2001): 27.

Schechner, Richard, and Mady Schuman. Ritual, Play, and Performance: Readings in the Social Sciences. New York: Seabury Press, 1976.

Schechner, Richard, Bud Wirtschafter, and Allan Kaprow. Teatro De Guerrilla y Happening. Barcelona: Editorial Anagrama, 1973.

Schechner, Richard. Between Theater & Anthropology. Philadelphia: U of Pennsylvania P, 1985.

---. Environmental Theater. New, expanded ed. New York: Applause, 1994.

---. Essays on Performance Theory, 1970-1976. 1st ed. New York: Drama Book Specialists, 1977.

---. "Five Avantgardes... Or None?" Revista Teatro/CELCIT vol. 30 (2007).

---. (The) Future of Ritual: Writings on Culture and Performance. London- New York: Routledge, 1993.

---. "One Hand, Many Fingers." TDR: A Journal of Performance Studies 48.3 (2004): 174.

---. Over, Under, and Around: Essays in Performance and Culture. Calcutta: Seagull Books, 2004.

---. Performance Studies: An Introduction. 2nd ed. New York: Routledge, 2006.

---. Performance Theory. Rev. and expanded edition. New York: Routledge, 1988.

---. "Re-Wrighting Performance: A Conversation with Richard Schechner." Teaching Shakespeare through Performance. Ed. Milla Cozart Riggio and Michael Kahn. New York, NY: Modern Language Association of America, 1999. 503.

Schneider, Rebecca. "Three Sisters." Theatre Journal 49.3 (1997): 365.

---. "Three Sisters at Millennium's End: Richard Schechner's Production at La Mama." Re:Direction: A Theoretical and Practical Guide. Ed. Rebecca Schneider and Gabrielle Cody. London, England: Routledge, 2002. 381.

Stefanelli, Maria Anita. "Eros, Commedia e Performance: Richard Schechner e Dionysus in '69." Le Forme Del Teatro, V: Eros e Commedia Sulla Scena Inglese Dalle Origini Al Primo Seicento. Ed. Viola Papetti and Laura Visconti. Rome, Italy: Edizioni di Storia e Letteratura, 1997. 205+.


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