Estévez models this piece after El Camino de Compostela in Spain, staging a series of pilgrimages that reverse the traditional relationship between religion and art. For the first journey on March 20, 2005, Estévez was heavily laden with donated art publications strapped to his back for a trip that took him from the heart of the world’s financial center in Lower Manhattan to East Harlem. El Museo del Barrio’s Director Julián Zugazagoitia commemorated the performance by signing the credential. Presented as part of Lower Manhattan Cultural Council’s Workspace Residency Program and the Franklin Furnace Fund for Performance Art, and in collaboration with: El Museo del Barrio, The Bronx Museum of the Arts, The Studio Museum in Harlem, The Jersey City Museum, the Lower East Side Tenement Museum, the Smithsonian’s National Museum of the American Indian, Queens Museum, Longwood Arts Project/Bronx Council on the Arts, and the Center for Book Arts.