Jabaz is a magician, but his tricks don’t produce rabbits or doves. Instead, he daily produces whips, clubs, darts, and more instruments, with which he lashes the idiots, the heartless, the affected, the ignorant, the know-it-alls, those who attempt to pass themselves off as clever, those who overstep, those who behave badly (sometimes too badly). He is, so to speak, a kind of Zorro—signing his characters with his distinctive mark, the “J” of Jabaz, which becomes a stigma that can never be removed.
Felipe Covarrubias | ITESO
Translations by Magalí Armillas-Tiseyra and Marcial Godoy-Anativia
The Narco-Machine And The Work Of Violence: Notes Toward Its Decodification
Rossana Reguillo
Yuppies, Junkies, And Mules: Narcotic Sujectivities, Dialectic Images, And Contemporary Art In Córdoba (Argentina)
Gustavo Blázquez
ALl Roads Lead north: A reading of news on migration through the figure of the coyote
Amparo Marroquín Parducci
Noción de Gasto y Estética de precariedad en las Representaciones literarias del Narcotráfico
Jungwon Park and Gerardo Gómez-Michel
The Crónica Of The Narco And The Transa According To Cristian Alarcón
Gabriela Polit Dueñas
Capitalismo gore: narcomáquina y performance de género
Sayak Valencia Triana
An Aboriginal Youth Gang Narconomy
Kathleen Buddle
An Open Letter From A Post-National Artist To A Mexican Crime Cartel
Guillermo Gomez-Peña
The Narcopolitical Imaginary
William Garriott
Antes
Lolita Bosch
Martyrs
Santiago Rueda
Palas Por Pistolas
Pedro Reyes
Los Narcocorridos, Expresiones Culturales De La Violencia
Anajilda Mondaca Cota
Daily Life
Magali Tercero
Ética Para Arón
Rosa Ester Juárez
Narco And Cinema: The War Over The Public Debate In Mexico
Carlos A. Gutiérrez
Shouting In The Plaza
Isabel Vericat
The Writing Lesson
Juan de Dios Vázquez
The Narco In The La-La-Land Of Jabaz
Jabaz
The Son Of A Sinaloa Drug Lord In Search Of A Normal Life
Diego Osorno
Requiem for a Lost Land
Violeta Luna
Visitations to the Machine
Cristian Alarcón
Your Steps were Lost in the Landscape
Fernando Brito
Two notes on recent films by gianfranco rosi and natalia almada
Christopher Fraga
Contaminating crime and Immunizing Police Gangs: The reemergence of Sovereign State violence in Elite Squad
Micaela Kramer
Brazilian Popular Music And Citizenship do Idelber Avelar Y Christopher Dunn
Cristel Justino Díaz
CONSTRUCTING GLOBAL ENEMIES: HEGEMONY AND IDENTITY IN INTERNATIONAL DISCOURSES ON TERRORISM AND DRUG PROHIBITION do EVA HERSCHINGER
Sharada Balachandran Orihuela
EL CARTEL DE SINALOA: UNA HISTORIA DEL USO POLITICO DEL NARCO do diego osorno
Arturo Laris
EL HOMBRE SIN CABEZA do SERGIO GONZÁLEZ RODRÍGUEZ
Silvia Spitta
LA SECRETA OBSCENIDAD DE CADA DIA; TELEMACO / SUB-EUROPA, O EL PADRE AUSENTE; EL DESEO DE TODA CIUDADANA; QUERIDO COYOTE; TRISTAN E ISOLDA Do MARCO ANTONIO DE LA PARRA Y TERESINA BUENO
Camila González Ortiz
MAKING A KILLING: FEMICIDE, FREE TRADE, AND LA FRONTERA do ALICIA GASPAR DE ALBA AND GEORGINA GUZMAN
Nathalie Bragadir
ME LLAMAN DESDE ALLA: TEATRO Y PERFORMANCE DE LA DIASPORA PUERTORRIQUEÑA do ROSALINA PERALES
Isel Rodríguez Concepción
NO SOY YO: AUTOBIOGRAFIA, PERFORMANCE Y LOS NUEVOS ESPECTADORES Do ESTRELLA DE DIEGO
Claudia Salazar
PERFORMING PIETY: MAKING SPACE SACRED WITH THE VIRGIN OF GUADALUPE do ELAINE A. PEÑA
Jennifer Reynolds-Kaye
POLICING METHAMPHETAMINE: NARCOPOLITICS IN RURAL AMERICA do WILLIAM GARRIOTT
Harel Shapira
PRETTY MODERN: BEAUTY, SEX, AND PLASTIC SURGERY IN BRAZIl do ALEXANDER EDMONDS
Ashley Mears
QUEERING THE PUBLIC SPHERE IN MEXICO AND BRAZIL Do RAFAEL DE la DEHESA
Marta Cabrera
LA CASA DE LA FUERZA DO ANGÉLICA LIDDELL
Jorge Louraço Figueira
GROUND DOWN TO NOTHING BUT STILL FIGHTING: A REVIEW OF TALCO
Lilian Manzor and Austin Webbert
ADELANTE SIN MIEDO Do GUSTAVO ALVAREZ
Magda Rivera
THE CROSS BORDER PROJECT'S FUENTEOVEJUNA
Leticia Robles-Moreno
¿QUIÉN MATÓ A LLAMITA BLANCA? do RODRIGO BELLOT
Suzanna Reiss