Bibliografia

[compilada por Angela Marino Segura, 2008]

Camnitzer, Luis. "Guillermo Gomez-Peña." Art Journal 51.4 (Winter 1992): 8.

Cummings, Scott T. "Guillermo Gómez-Peña: True Confessions of a Techno-Aztec Performance Artist." American Theatre (Nov. 1994): 50.

Fox, Claire F. "Mass Media, Site Specificity, and the U. S.-Mexico Border: Guillermo Gómez-Peña's Border Brujo (1988, 1990)." Ethnic Eye: Latino Media Arts. Eds. Chon A. Noriega and Ana M. López. Minneapolis: U of Minnesota P, 1996.

Gómez-Peña, Guillermo. "Disclaimer." TDR: A Journal of Performance Studies 50.1 (2006): 149-158.

---. "Chicano Interneta: The Search for Intelligent Life in Cyberspace." Hopscotch: A Cultural Review 2.2 (2000): 80-91.

---. Dangerous Border Crossers: The Artist Talks Back. New York: Routledge, 2000.

---. "The Artist as Criminal." TDR: A Journal of Performance Studies 40.1 (1996): 112-117.

---. "The Multicultural Paradigm: An Open Letter to the National Arts Community." Negotiating Performance: Gender, Sexuality, and Theatricality in Latino America. Eds. Diana Taylor, Juan Villegas, Tiffany Ana López and Jacqueline Lazú. Durham, NC: Duke U P, 1994.

---. "The Other Vanguard." The Politics of Public Culture. Eds. Ivan Karp, Christine Mullen Kreamer and Steven D. Lavine. Washington, DC: Smithsonian, 1992.

---. "A Binational Performance Pilgrimage." TDR: A Journal of Performance Studies 35.3 (1991): 22-45.

---. "Documented/Undocumented." Trans. Ruben Martínez. The GrayWolf Annual Five: Multi-Cultural Literacy. Ed. Rick Simonson and Scott Walker. St. Paul: Graywolf, 1988. 127-134.

---. "Letters from the Road: A Selection of Performance Chronicles." TDR: A Journal of Performance Studies 46.2 (Summer 2002): 97-109.

---. "The New Global Culture: Somewhere between Corporate Multiculturalism and the Mainstream Bizarre (A Border Perspective)." TDR: A Journal of Performance Studies 45.1 (Spring 2001): 7-30.

---. "Mexican Beasts and Living Santos." TDR: A Journal of Performance Studies 41.1 (Spring 1997): 135-146.

---. The New World Border: Prophecies, Poems, & Loqueras for the End of the Century. San Francisco: City Lights, 1996.

---. Warrior for Gringostroika: Essays, Performance Texts, and Poetry. St. Paul, Minn.: Graywolf Press, 1993.

Gómez-Peña, Guillermo and Gabriela Salgado. "Performing in the Zones of Silence." e-misférica 3.2 (Nov. 2006):

Gómez-Peña, Guillermo and Josefina Alcázar. El Mexterminator: Antropología Inversa De Un Performancero Postmexicano. 1st ed. México, D.F.: Océano, 2002.

Gómez-Peña, Guillermo and Elaine Peña. Ethno-Techno: Writings on Performance, Activism, and Pedagogy. New York: Routledge, 2005.

Gómez-Peña, Guillermo, Roberto Sifuentes, and Philip Brookman. Temple of Confessions: Mexican Beasts and Living Santos. 1st ed. New York: PowerHouse, 1996.

Gomez-Peña, Guillermo and Lisa Wolford. "Navigating the Minefields of Utopia: A Conversation." TDR: A Journal of Performance Studies 46. 2 (Summer 2002): 66-96.

Huízar, Angélica. "Guillermo Gómez-Peña's 'Tekno Poética' Web Verse, Lost and found in a Webspora." Ciberletras 17 (2007): N. pag.

Huízar, Angélica J. "Performance, Identities and Transgressions: An Interview with Guillermo Gómez-Peña." Gestos: Teoría y Práctica Del Teatro Hispánico 13. 25 (1998): 205-214.

Kuhnheim, Jill S. "The Economy of Performance: Gómez-Peña's New World Border." MFS: Modern Fiction Studies 44.1 (1998): 24-35.

Neustadt, Robert. "(Con)Fusing Cultures: Guillermo Gómez-Peña and the Transgression of Borders." Mattoid 52-53 (1998): 65-79.

Taylor, Diana. "A Savage Performance: Guillermo Gómez-Peña and Coco Fusco's 'Couple in the Cage'." TDR: A Journal of Performance Studies 42. 2 (1998): 160-175.

Velasco, Juan. "Performing Multiple Identities: Guillermo Gómez-Peña and His 'Dangerous Border Crossings?." Latino/a Popular Culture. Eds. Michelle Habell-Pallán and Mary Romero. New York: NYU Press, 2002.

Weiss, Jason. "An Interview with Guillermo Gómez Peña." Review: Latin American Literature and Arts 45 (1991): 8-13.

Wolford, Lisa. "BORDERscape 2000: Guillermo Gómez-Peña's Millennial Cartography." Essays in Theatre/Etudes Théâtrales 18. 2 (2000): 98-118.

---. "Guillermo Gómez-Peña: An Introduction." Theatre Topics 9.1 (1999): 89-91.


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